Saturday, May 8, 2010

Irish Crime Writing Baseball Team

Crime Scraps have proposed an English crime writers baseball team, suggesting that only the US and Scotland could rustle up a team to challenge his line-up. I posted a comment proposing an Irish team that would give the Anglos a decent game. With youth on their side and hurling in their blood, I actually think the Irish would play a more aggressive and entertaining game. Anyway, I thought I'd re-post the team here (in a slightly different order as Adrian McKinty has already said he's prepared to take it on the noggin to get to first base). I'm not sure if it's a good idea to place a baseball bat into the hands of these folk, but I'm sure they'd give most teams a run for their money.

1. Adrian McKinty
2. Gene Kerrigan
3. Colin Bateman
4. John Connolly
5. Ken Bruen
6. Declan Hughes
7. Declan Burke
8. Arlene Hunt
9. Brian McGilloway

Reserves: Benjamin Black, Tara French, Alex Barclay

Friday, May 7, 2010

Review of Roseanna by Maj Sjowall and Per Wahloo (Vintage Crime, translated 1967, published in Swedish in 1965)

The body of a young woman is dredged from a canal on the inland waterways of Sweden, roughly halfway between Stockholm and Gothenburg. The case is assigned to Martin Beck, First Detective with Homicide Squad of the National Police, based in Stockholm. Initially, identifying the woman and how she ended up in the lock is a complete mystery. Slowly, Beck and his colleagues start to piece together who she is and her final couple of days, but identifying her killer proves to be a more difficult task given the lack of eye witnesses or forensic evidence.

Roseanna forms part of my Classic Crime Fiction Curriculum Challenge; one of a set of ten must-read crime novels published before 1970. It was recommended because it’s credited with introducing a new kind of crime writing – socially realist police procedurals that provided accounts of the everyday lives of ordinary police officers, the interlinking of various agencies, the banal politics of personal and institutional interactions, the mundane and tedious practices of detection, and the role of crime in society. The police officers are, for the most part, ordinary people doing difficult jobs, trying to balance home commitments with the demands of being a detective. And this is what is striking about Roseanna. There is a sense of progression, but it is not driven along at breakneck speed, with an endless succession of cliffhangers. Instead the story meanders along at a relatively sedate pace, detailing how the case is patiently and dogmatically investigated, eventually reaching a relatively understated climax. In fact, the whole book feels a little understated, telling the story in a quite functional style, with little to no back story concerning the characters, and no excess description. The characterisation is fine, although I never really felt I got to know any of them to any great extent, and the plotting is carefully constructed. I suspect that if Sjowall and Wahloo were to seek publication for Roseanna today they would be encouraged to spice up the story, rev up the pace, and add in a whole lot of tension, and I guess I’m so attuned to that now that I spent the first fifty pages wondering when things were going to change gear. But the gear change is really not needed; sometimes less is more. Nevertheless, I find it quite difficult to conceive Roseanna as a book that broke the mould and started a new way of writing crime fiction given the vast quantity of work that follows in their path, some of which advances what they started and branches off in new directions. That said, it is a fine piece of work that reads just as well now as it no doubt did forty years ago.

Thursday, May 6, 2010

Short story by numbers?

I spent part of last night catching up on reading some blogs and came across an interesting post on Pulp Serenade about how to churn out a succession of short stories using the method of Lester Dent (pen name Kenneth Robeson and creator of 'Doc Savage') who was a pulp master in the 1930s grinding out up to 200,000 words a month. Dent claimed to have created the perfect formula for compelling stories c.6,000 words in length, which were accepted for publication without fail. These effectively boil down to the following (a fuller explanation from Dent in an article first published in 1936 available here).

"FIRST 1500 WORDS.
1—FIRST LINE, or as near thereto as possible, introduce the hero and swat him with a fistful of trouble. Hint at a mystery, a menace or a problem to be solved—something the hero has to cope with.

2—The hero pitches in to cope with his fistful of trouble. (He tries to fathom the mystery, defeat the menace, or solve the problem.)

3—Introduce ALL the other characters as soon as possible. Bring them on in Action.

4—Hero’s endeavors land him in an actual physical conflict near the end of first 1500 words.

5—Near end of first 1500 words, there is a complete surprise twist in the plot development.


SECOND 1500 WORDS

1—Shovel more grief onto the hero.

2—Hero, being heroic, struggles, and his struggles lead up to:

3—Another physical conflict.

4—A surprising plot twist to end the 1500 words.


THIRD 1500 WORDS

1—Shovel the grief onto the hero, who continues to fight back, most heroically.

2—Hero makes some headway, and corners the villains or somebody in:

3—A physical conflict.

4—A surprising plot twist, in which the hero preferably gets it in the neck bad, to end the 1500 words.


FINAL 1500 WORDS

1—Shovel the difficulties more thickly upon the hero.

2—Get the hero almost buried in his troubles. (Figuratively, the villain has him prisoner and has him framed for a murder rap; the girl is presumably dead, everything is lost, and the DIFFERENT murder method is about to dispose of the suffering protagonist).

3—The hero extricates himself, using HIS OWN skill, training or brawn.

4—The mysteries remaining—one big one held over to this point will help grip interest—are cleared up in course of final conflict as hero takes the situation in hand.

5—Final twist, a big surprise. (This one can be the villain turning out to be the unexpected person, having the “treasure” a dud, etc.)

6—The snapper, the punch line, to end it."
Next story - vary one or more of the following:
1—A different murder method for villain to use.
2—A different thing for villain to be seeking.
3—A different locale.
4—A menace which is to hang like a cloud over hero.

I think I might have a go at using this formula in the next couple of months and see what I come up with, perhaps reducing it down a little in length. All I've got to now is come up with a story that involves four 'surprising plot twists'. However it turns out it should at least be exciting, right? Thanks to Cullen Gallagher at Pulp Serenade for sharing.

Wednesday, May 5, 2010

Review of Leather Maiden by Joe Lansdale (Vintage Crime, 2008)

Cason Statler was nominated for a Pulitzer for his journalism but indiscretions with the newspaper boss’ wife and step-daughter led to the door, and after a bit of bumming around he joined the military post 9/11 and ended up in Iraq. Discharged he’s drifted back to the small East Texas town of Camp Rapture to take up a post as columnist for the local paper. Still haunted by the ghosts of the past, he drinks too much and stalks his ex-wife, trying to find a rhythm to a life out of sync. On the computer he’s inherited from the previous columnist he finds a story concerning a beautiful college student who disappeared six months previously on a late night run to a fast-food restaurant. Sensing possibilities for a couple of follow-up columns he starts to investigate the young woman’s life to find himself soon drawn into a web of deceit, blackmail and murder.

Joe Lansdale has long been one of my favourite authors and Leather Maiden confirms why. His stories are earthy, fecund, and often dark, exploring the underbelly of society. Delivered in a back-porch storytelling style, he expertly immerses the reader in East Texan landscape and its peoples. There’s no better person at writing noir with a comic twist. He’s particularly good at portraying colourful characters that teeter on the edge of normality, yet making them seem everyday rather than caricature. And the dialogue, as per usual, is to die for: the conversations crackle off the page (the verbal battles between Cason and his editor are particularly entertaining). The pacing is spot-on and the plotting well conceived, although it gets a little pedestrian after the halfway point and the ending was a little telegraphed and flat. Whilst not quite as strong as some of his other works (the bar is set damn high), this is nevertheless superior stuff. I can’t wait now to get hold of Vanilla Ride in which Hap and Leonard, the most compelling partnership in contemporary fiction, return after a number of years.

Tuesday, May 4, 2010

April reviews

April may have been a strange month, but I managed to get back to my reading ways. Although I only managed to post 9 reviews, I actually read 12 books. The remaining reviews will appear this week and next. Probably no bad thing as two of those three are also five star reviews and picking a book of a month in one that had four in would be tough. Choosing between The Grave in Gaza and Expiration Date is bad enough, but my nod goes ever so slightly to the former.

The Grave in Gaza by Matt Beynon Rees *****
Old Dogs by Donna Moore ****
Motor City Blue by Loren Estleman ***
Truth by Peter Temple ****
Paying For It by Tony Black ***
Criminal Summer by Luigi Guicciardi ***
A Firing Offense by George Pelecanos ****
Have Mercy on Us All by Fred Vargas ***
Expiration Date by Duane Swierczynski *****

Monday, May 3, 2010

Sweet Dreams

This is my contribution to the Sweet Dreams flash fiction challenge set by Patti over at Pattinase. Here's Patti's set-up: "It begins in a food/drink establishment of some sort. The radio/juke box/band is playing 'Sweet Dreams' by the Eurythmics. A red-headed woman in an electric blue dress comes through the door. And then what?"

And here's my story:

Kyle was hiding at the rear of the diner, facing the door, his back to a wall, head tucked into his shoulders.

The Eurythmics were playing on the jukebox, Annie Lennox warbling in a hypnotic mantra. ‘Sweet dreams are made of this.’

He moved the salt shaker in time to the music, sliding it nervously back and forth across the formica top. Jimmy should have arrived by now. Should have arrived half an hour ago.

The front door swung open and a beautiful young woman in a spray-on, electric blue dress entered.

And who am I to disagree?’ Kyle muttered, instinctively craning his neck to sneak a better look.

It had to be a movie star or a model that’d lost their bearings and accidentally drifted into the neighbourhood. Anybody with those kinds of looks left in the first red Porsche that coasted along Main Street; and they only came back for marriages and funerals.

The chatter of the few, late evening patrons died, heads turning to take in the new arrival.

I’ve travelled the world and the seven seas. Everybody is looking for something.’

The woman’s eyes scanned the room and locked on his gaze. She smiled, gave a small wave, and started to head towards him, every pair of eyes in the joint following her progress.

He slid back down into his chair, the song churning in his head. ‘Some of them want to use you. Some of them want to get used by you. Some of them want to abuse you. Some of them want to be abused.’

She pulled to stop next to his table.

I wanna use you and abuse you. I wanna know what's inside you. Hold your head up, movin' on. ’

He kept his head down, avoiding eye contact, hoping that the poor deluded woman would go away. He’d no idea who she was.

‘Kyle Morgan?’ she asked cheerily.

Keep your head up, movin' on.’

He lifted his eyes from her exquisite, tanned legs and squinted up at her beautiful face – sparkling blue eyes, high cheekbones, straight nose and wide mouth, framed by a shock of auburn hair.

Hold your head up, movin' on.’

‘You are Kyle Morgan, right?’ She smiled hesitantly, revealing a set of perfect white teeth.

Keep your head up!

‘Who wants to know?’

‘I do, who do you think? Is anybody sitting here?’ she pointed at the chair facing him.

‘I, er …’

She pulled out the chair and dropped down, her head tipping back, letting out a dramatic sigh.

‘These shoes are killing me.’ She angled her foot out so he could see one of the electric blue stilettos.

Sweet dreams are made of this.’

He nodded, unsure what to say, trying not to let his gaze plunge down the dress’ neckline to her cleavage, and failing.

Who am I to disagree?

‘The cat’s got your tongue, hey?’ she mocked, aware of the power of her beauty. ‘Well that makes a change.’ She held out a slender hand. ‘Mr Freeman sent me.’

‘Mr Freeman?’ Kyle repeated, ignoring her hand, the song dropping from the stereo soundtrack in his head back into the general noise of the diner.

‘Yeah, you know, Mr Freeman. Marty Freeman. Big man, no hair, long leather coat, prone to losing his temper. The man you stole twelve thousand dollars from.’

‘I, er.’

‘Not the cleverest thing you’ve ever done, Kyle. But then you’re hardly the brightest firework in the box, are you? I’m here for the money.’

He glanced at the sports bag placed on the chair next to him, then to the door of the diner.

‘Don’t even think about it, Kyle. I’m not in the mood. As you can see, I’m meant to be at a cocktail party for the Governor.’

He glanced at her, then grabbed the bag.

The ball of her foot hit his pubic bone, the stiletto heal slid beneath his manhood, the arch forming a fortunate bridge.

‘You really are as dumb as you look, Kyle, you know that?’

He let out a low whimper, his eyes fixed on the ankle and shoe pinning him to the chair. He tried to wriggle backwards, but the wall stopped his progress.

She started to ease her foot upwards. ‘The bag please, Kyle.’

‘What?’ he muttered, his voice up an octave, his eyes not leaving the shoe.

‘I said, pass me the bag,’ she dug her heal in.

His eyes opened wide a fraction, before his face crumpled in a grimace. Reluctantly he passed the bag across the table. Once her foot was removed he’d grab the bag back and teach her a couple of lessons; she was crazy if she thought she could waltz in on her own in a slip of a cocktail dress and take what was rightfully his.

She unzipped the bag and eased it open. ‘Going on a little holiday, were we?’ she said, removing a wad of twenty dollar notes. ‘And your wallet.’

‘Wallet?’

‘Yes, your wallet. Call it the interest due.’

‘Who are you?’

‘The hired help.’

‘The hired help?’

‘For Mr Freeman. Do you need revision notes?’ She smiled at him pityingly. ‘Your wallet.’

He dug into his back pocket and placed his fat wallet on the table. Where the hell was Jimmy? If he’d been here when he was meant to have been they’d have avoided this she-devil. And who was she, in any case? Mr Freeman had an established cadre of hired muscle.

She picked up the wallet and dropped it into the bag.

‘There, that wasn’t too bad was it?’

‘Do you really think you’re going to just walk out of here with my money?’

‘Mr Freeman’s money. And yes, I do.’ She jerked back her foot six inches and slammed it forward.

Kyle lurched back and folded in two in one movement, his body arcing across the table. For a moment his mouth was a silent O, before some unearthly sound roared from his lungs.

‘At least Jimmy took it like a man,’ the woman said rising, tugging the dress down her thighs. She picked up the bag and headed for the door. ‘He cheated on me,’ she explained to an elderly couple transfixed by Kyle’s howling.

Sweet dreams are made of this. Who am I to disagree?’ she sang in unison with Annie as she pushed open the door and exited. She hoped that the governor wasn’t going to be too disappointed when she arrived half an hour late.

Sunday, May 2, 2010

April was a funny month

Most of this month has been a bit of a blur. A week trying to meet deadlines, a couple of weeks in Washington, a lot of sleep, a couple of days trying to catch up, and the last four days at two other conferences (one of which I am still at). I'm still behind on most things and have four books sitting on the shelf that I've read but await review. Hopefully May is going to be a quiet month. I got my hands on a copy of The White Gallows on Thursday, so it now feels a bit more real. The official release date is in June sometime.

My reviews this week:
Review of Have Mercy on Us All by Fred Vargas
Unsold houses could bankrupt councils
Volcanic shadow
Negative equity nears 50 percent
Review of Expiration Date by Duane Swierczynski
Requiems for the Departed
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