Wednesday, July 7, 2010

Badfellas by Tonino Benacquista (Bitter Lemon Press, 2010; 2004 in French)

In the middle of the night an American family move into a villa in Cholong-sur-Avre in Normandy.  To the locals they are something of an exotic novelty – larger than life Fred, an aspiring writer; the conscientious Maggie, who helps out at a local charity; the scheming Warren, who quickly manoeuvres himself into running the school playground; and confident Belle, with her exceptional beauty and good grades.  Only Fred is really Giovanni Manzoni, a violent, former capo of a New Jersey Mafioso family who turned State evidence and is now condemned to spend the rest of his years in a witness protection programme.  Accompanying them is a FBI surveillance team, whose job it is to protect them from the $20 million contract on their head offered by Don Mimino, capo di tutti i capi (the head of the mafia in the US, and now residing in prison thanks to Manzoni’s evidence).  It should be relatively straightforward for Fred and his family to keep their heads down and lead a quiet life, but all of them seem to have a way of attracting and being the centre of attention.  Which is why they have to pack up and move every so often.  The hope is Cholong will be different; that they can turn the villa into a home, but given their record there’s every chance that mafia hitmen will turn up to claim reward for Manzoni’s head.

Badfellas is for the most part an enjoyable comic crime caper.  Benacquista tells the story in an easy, engaging style, with a good dose of black humour.  The characters, whilst mostly caricatures, are well developed, fun and credible - I like, for example, the way that Fred is consistent in his vision of the world, pre and post witness protection programme).  The plot is reasonably predictable, but entertaining, with some nice intertextuality, and I can easily see Badfellas being made into a movie.  There are, however, a few shortcomings that a decent edit could have addressed – the narrative often tells rather than shows, wanders off on unnecessary tangents, and some of the story lacks credibility even for a yarn that asks you to suspend disbelief in general (for example, a man has two arms broken in a house under 24 hour FBI surveillance and yet no-one heard or saw a thing and heaven knows who collected his van; nobody seems to know that a FBI team is occupying the house opposite; a factory polluting the water table is blown-up and miraculously the water runs clean straight away and no-one comes to investigate in a post-9/11 world; a shop is set on fire by someone acting completely out of character and again there is no aftermath).  To some degree this is all minor stuff, but it was enough to slightly sour the read for me, in what was otherwise an amusing way to pass an evening or two.  I expect to see the movie in due course.
 

Tuesday, July 6, 2010

Revised reviewer ratings

I've become increasingly dissatisfied with my ratings system over the past few months.  Basically, just about everything I review ends up in one of three boxes (3*, 4* or 5*) with the very occassional 2*.  Some books, however, just don't quite fit either 'an okay read' or 'quality stuff and will be recommending to friends' or 'outstanding, get me the full back catalogue'; some seem to sit between these - not quite blown me away, but pretty damn close; or better than okay, but not quite stellar stuff; more than passable, but not quite solid good.  There have been a few books I've wanted to give 2.5, 3.5 or 4.5 stars to.  Sometimes I've rounded up, sometimes down, and I'm never happy with either.  Yesterday, I swapped the stars at the bottom of my review of Water-Blue Eyes several times between three and four stars before finally plumping for 3 stars.  I'd have been more comfortable giving it 3.5.  It was better than many of the books I give 3 stars, but not in the same category as the books in the 4 star range.  So, from now on, I'm going to experiment with a slightly new rating scale and see how I get on.  Hopefully it'll provide a more nuanced summary assessment that differentiates books a bit (rather than 80+% of my reviews being either 3* or 4*).

Monday, July 5, 2010

Review of Water-Blue Eyes by Domingo Villar (Eurocrime, 2008; Spanish 2006)

High up in a duplex apartment in a luxury harbour front apartment in Vigo, Galicia, Luis Reigosa dies an agonising death whilst tied to his bed.  Inspector Leo Caldas, known throughout the city for his weekly appearances on the radio show Patrol on the Air, is assigned to the case, along with his short-tempered and aggressive sidekick, Rafael Estevez.  Reigosa, a jazz saxophonist, had seemingly been well liked, with his water-blue eyes ensuring an endless stream of lovers.  Yet his death was sadistic and required medical knowledge.  Reigosa’s body and apartment hold few clues, and initially Caldas and Estevez struggle to find a starting point for their investigation, but as they come to understand how he was killed and his lifestyle they slowly piece together what happened that night, and gradually home in on his killer.

There is much to admire in Villar’s writing style, which is concise and expressive, and Water-Blue Eyes is a pleasurable read.  Leo Caldas, as the disillusioned and weary inspector, and his assistant, the explosive Rafael Estevez, are engaging characters, though somewhat enigmatic due the general lack of back story.  In this sense, Villar does a great job at following the ‘show don’t tell’ maxim, but the result is I never really felt I got to know the characters that well beyond broad pointers.  I think this is partly a function of length.  At 167 pages, space delimits the extent to which one gets to know the principal characters using this storytelling technique.  The length also restricts the plot, which is interesting but relatively straightforward, that has a twist at the end.  The plot could have been fleshed out a bit more, especially the ending which is wrapped up conveniently and too quickly.  Basically, I wanted more!  Whilst I did find elements of the book a little disappointing, Water-Blue Eyes has enough positives – such as it style, dry wit and sense of place - to make me want to read the next book in the series.  Indeed, my sense is that Caldas and Estevez hold much promise as a fictional partnership, and Villar’s assured writing will make for an engaging and entertaining read.  For other reviews see Petrona, The Game’s Afoot, and International Noir.

Sunday, July 4, 2010

Lazy Sunday Service

I'm slowly falling behind with book reviews.  I've four books on the completed pile and I hope to write at least three of them today.  Since I'm now proofing my Key Thinkers book and a student's PhD thesis, having a small reserve is probably no bad thing as the fiction reading is taking a dip.  At some point, I'm also going to have to find time for writing.  Well, writing beyond reviews, blog posts and emails!

My posts this week:
Parish pump planning
Review of GUBU Nation by Damian Corless
Speeding
Review of Bad Things Happen by Harry Dolan
June reviews
Book giveaway winners
Gunshot blues

Failed planning

Saturday, July 3, 2010

Gunshot Blues

I received an email this morning from Amazon to tell me that my pre-ordered copy of Gunshot Road by Adrian Hyland would be delayed in delivery.  Great for Hyland as Amazon have already run out of stock, annoying for me since I wanted to get my sticky mitts on it.  At least I had better luck in the local bookshop - the copy I'd ordered of Almost Blue by Carlo Lucarelli had arrived.  I'm looking forward to tucking into this one.  I'm a fan of Lucarelli after reading his De Luca trilogy, which I highly recommend.

Friday, July 2, 2010

Book giveaway winners

The winners of my two book giveaway are Kathy D. and Carol Wong.  If you send your postal addresses to rob.kitchin@nuim.ie I'll get a copy of The White Gallows in the post to you early next week.

Thursday, July 1, 2010

June Reviews

A little suprised to see that I read 11 books in June as it felt like I'd only read half that amount.  The stand out book was Killer by Dave Zeltserman, which I found captivating. 

The Goodbye Kiss by Massimo Carlotta ****
A Deadly Trade by Michael Stanley ***
The Day of the Jack Russell by Colin Bateman ****
Killer by Dave Zeltserman *****
Hand in the Fire by Hugo Hamilton ***
The Big O by Declan Burke ****
Fury by G.M. Ford ***
Then Came The Evening by Brian Hart ****
Blood Moon by Garry Disher **
GUBU Nation by Damian Corless ***
Bad Things Happen by Harry Dolan ***
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