Monday, June 13, 2011

Review of Nine Dragons by Michael Connelly (Orion, 2009)

An elderly Chinese immigrant is gunned down in his liquor store in Downtown LA. Detective Harry Bosch believes it’s a triad hit and zeros in on his quarry. Whilst he’s trying to piece together enough evidence to make the case stick, however, he receives disturbing news from Hong Kong, a triad powerhouse. Having to drop everything, Bosch heads for the Chinese city, determined to resolve what has just become a very personal case.

I’m a Michael Connelly fan. I own a copy of just about all of his books. They are generally superior fare amongst the bestseller lists, but Nine Dragons, I felt, was one of his weaker offerings. The story felt rushed, with prose that was workmanlike and flat. And the plot was weak, feeling like two shorter stories jammed together. The part of the book set in Hong Kong, in particular, seemed to lack life, depth and credibility. There was a particular event that happens that is described as if it had barely any emotional resonance or trauma to Bosch and other characters, and it continues as a notable absence throughout the rest of the book. And from the minute Bosch arrives back from Hong Kong, very little of the plot seems credible. The result is a police procedural/psychological thriller with the psychology bit mostly missing; a Harry Bosch story where Bosch seems like a very pale version of himself. I was a bit disappointed with the last Connelly I read, The Scarecrow, and Nine Dragons makes two in a row that have been below his usual very high standards. In both cases, my sense is the books were rushed. When on top of his game, it’s difficult to beat a good Connelly book, but for me at least, Nine Dragons is well down his greatest hits list.

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