It’s the late 1970s and Argentina is governed by a military junta, casting a shadow of fear across the country. Amancio is a playboy from a rich, landed family, married to the beautiful Lara, who demands the finest things in life. Having exhausted his fortune he has taken to loaning money from various creditors, finally turning to the loan shark, Biterman, an Auschwitz survivor. When Biterman calls in the debt, Amancio decides to take matters into his own hands to save the family estate, turning to his friend, Major Giribaldi, who specialises in making people disappear. Superintendent Lascano is a homicide detective mourning his wife recently killed in a car accident. On a raid of a brothel he discovers Eva, a left-wing dissident, hiding from another kind of raid a few doors away. Eva is the spitting image of Lascano’s dead wife and he takes her in, a strange bond forming between them. Despite the risk, Lascona seeks new papers for Eva, but then he discovers three dead bodies dumped on the roadside outside of the city. Two are clearly junta assassinations, but the third seems more opportunistic. It doesn’t take long for Lascano to discover the truth, putting him on a dangerous collision course with the military authorities.
Needle in a Haystack is a noir crime novel blended with social/political observation. The story is not driven by a ‘whodunnit’ or ‘howdunnit’ narrative, as it is fairly clear from the start who killed the third body and why. Rather the hook is who will win out between Lascano and Giribaldi; whether justice will prevail. I’ll avoid a spoiler, but needless to say the book has one of the best endings to a novel I’ve read so far this year. Throughout the characterisation and social relations are keenly portrayed and the prose is well crafted. The plot is relatively straightforward, but that doesn’t detract from the reading experience. There were one or two things that didn’t quite ring right, such as Biterman’s backstory, but otherwise one felt immersed in the claustrophobic life of Buenos Aires in the late 1970s. Overall, an informative and entertaining slice of noir, lifted by a great ending.
After being gunned down by a death squad, Inspector Lascano is presumed dead. He has been hidden away though to recover by an ambitious cop who appreciates his talents. That cop is about to become Chief of Police and has plans for Lascano. In 1980s Argentina, just emerging from a military state, there are murky forces still operating in the police force. Lascano’s protector is no saint, but his rivals are worse. When the new police chief dies within hours of taking office, Lascano’s life once again comes under threat. Looking to earn money to leave the country, he takes on a job of investigating a bank robbery. He also gets dragged back into the case that led to him being left for dead. Committed to always trying to uphold the law, whatever the consequences and the intended victims, he gets drawn into a deadly game of cat and mouse, making some uneasy and shifting alliances.
Just been hit in the sweet spot. Sweet Money by Ernesto Mallo is a fabulous, multi-textured read. After the gut to the stomach at the end of Ken Bruen's The Dramatist, Mallo ends with a swift kick to the balls. A fine slice of noir, Argentinian style. Review in the coming days. After the fairly dark reading of the past couple of weeks, I think something lighter is in order. Next up was Outrage by Arnalder Indridason and Quarry by Johan Theorin, but I might try and slot something in before them. I don't imagine they're going to be the jolliest of reads.
It’s the late 1970s and Argentina is governed by a military junta, casting a shadow of fear across the country. Amancio is a playboy from a rich, landed family, married to the beautiful Lara, who demands the finest things in life. Having exhausted his fortune he has taken to loaning money from various creditors, finally turning to the loan shark, Biterman, an Auschwitz survivor. When Biterman calls in the debt, Amancio decides to take matters into his own hands to save the family estate, turning to his friend, Major Giribaldi, who specialises in making people disappear. Superintendent Lascano is a homicide detective mourning his wife recently killed in a car accident. On a raid of a brothel he discovers Eva, a left-wing dissident, hiding from another kind of raid a few doors away. Eva is the spitting image of Lascano’s dead wife and he takes her in, a strange bond forming between them. Despite the risk, Lascona seeks new papers for Eva, but then he discovers three dead bodies dumped on the roadside outside of the city. Two are clearly junta assassinations, but the third seems more opportunistic. It doesn’t take long for Lascano to discover the truth, putting him on a dangerous collision course with the military authorities.
